Missives From Troy

I am Helen Doremus. I write. I sing. I create things. I do kung fu. I wear a hat. I occasionally curse. I like pie. When I make a thing that's meant to amuse, it comes here to live.

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wickedlydeeper:

gallifreywaits:

senselessrose:

grimdarkthroes:

riningear:

stfurapeculture:

augustayc:

braiker:

Are you fucking kidding me? Did we all just wake up in 1938?

Really seriously flabbergasted and concerned about this.

This is terrifying and very important.

I thought this would be some sort of extreme shit or parody but 

image

holy shit 

I started giggling because the sheer horror I felt looking at this meant I either broke down or laughed

Holy shit

This is terrifying.

Happy FUCKING Passover >:(

Waiting to see what more comes out about this. 

(via dduane)

No matter what, nobody can take away the dances you’ve already had.
Gabriel García Márquez

sandandglass:

This makes me really sad.

Sexual assault should never be considered normal. And raising your voice should never be considered an ‘over-reaction’.

I guess things can only change if we continue to spread the message that sexual assault is NEVER okay and that reporting/seeking help is perfectly okay. No-one should ever have to feel that they are in the wrong because something like this has happened to them.

Source

(via miracleinwestegg)

policymic:

Google just patented contact lens cameras that will make us superhuman

Not content with ruling basically the entire Internet, Google now is apparently planning to become a physical part of you. New patents show that Google is already ruminating on Google Glass’ follow-up, and it’s the logical next step: Google Contacts.

The device won’t just measure blood sugar in diabetics. The new patent application makes clear that the lenses will house an integrated camera that takes photos using a special blink pattern, then transmit the images to a connected device.

Read more

fictionwritingtips:

Our stories are often plagued with these common story problems, but if we don’t know how to fix them, we’ll never improve our writing. It’s important that you remember you don’t need to scrap your novel if you keep having the same issues over and over again. Hopefully this list will help you pinpoint what’s going on and provide ways for you to improve your novel.

Problem: Unmotivated Characters

If you’re having trouble figuring out where your story should go next, the problem could be with unmotivated characters. Characters aren’t in your novel just so you can push them around every once in a while and make them do things. They need to develop over time and keep your story going in the right direction.

Solution:

Work on your character’s wants, goals, and motivations. You need to figure out what’s driving your character if you want them to do anything. Where do they want to end up? What’s standing in their way? What’s their plan? Who will help them? Think about everything your character will need to do to resolve your novel. Focus on what they want and what motivates their actions and your characters will stop being dull and lifeless.

Problem: Boring First Chapters

A boring first chapter is dangerous because you want to captivate your audience right away. You don’t want to lose readers just because of this, but sometimes it happens.  You should give enough information to keep your readers interested, while also keeping them intrigued enough to figure out what happens next.

Solution:

Putting emotion into your scenes from the beginning will not only help set the tone, but we’ll get an immediate understanding of your world. The best advice I can give is to construct a scene that helps us best understand your character. If they’re on the run, show us that they’re being chased. If they’re sad and lonely, construct a scene that lets us feel their isolation. You don’t necessarily need to open your book with action, but you do need to introduce the conflict. Think about what your character wants and go from there. Think of your first chapter as an introduction to an essay. You don’t go right into the points immediately, but you set us up for something good.

Problem: Plot Holes

Writers worry about forgetting to include important information in their novel that’s necessary to the plot. If you’re discovering that readers often point out plot holes in your story, maybe it’s time to reevaluate how you plan your novel.

Solution:

Pre-planning or prewriting your novel often solves any plot hole problems. If you take the time to write out important scenes so you don’t forget them, your story will become stronger. However, if you’re not someone who likes to do so much planning, you can tackle plot holes during the editing phase. Take notes when you’re editing so that you can catch these plot holes and figure out where you can add necessary information. A plot hole does not always mean your novel needs loads of reworking, but it is something you need to take the time to fill in.

Problem: Poor Pacing

Poor pacing can ruin a novel, but luckily it’s something you can tackle head on before you even start writing your story. Good pacing helps add tension to your novel and helps you make sure there’s enough rising and falling action to keep your story interesting.

Solution:

Planning out your novel ahead of time also helps solve pacing problems. You can create a timeline that helps you keep track and plan out when you want certain things to happen. Read up on story arcs and try to plan out your scenes accordingly. If you’re already done with your novel and you notice poor pacing, try rearranging scenes or spreading out the action.

Problem: Info-Dumping

A very common writing problem is info-dumping. This is when you tell your readers loads of information at a time without showing them anything important. Info-dumps usually occur in first chapters of novels, but they can happen anytime during the course of your story. Info- dumps can drag down your story and bore your readers.

Solution:

Cut out long paragraphs where you explain what’s going on in your novel and show your readers instead. Avoid over explaining things that can be explained through action. Letting your audience figure things out instead is a much more satisfying reading experience and it lets your readers connect with your characters on a deeper level.

-Kris Noel

(via referenceforwriters)

writingbox:

Protagonist: the central character tied into the main storyline. Their goals fuel the action and their own personal journey.

Antagonist: the character whose goals directly oppose those of the protagonist. They are not necessarily an ‘evil’ character or ‘the baddie’, but their journey towards their own goals blocks the protagonist’s journey.

Mentor: the mentor voices or represents the lesson that must be learned by the protagonist in order to change for the better and achieve their goal.

Tempter: the antagonist’s right-hand. The tempter doesn’t necessarily know the antagonist, but they both share the role of stopping the protagonist from achieving their goal. The tempter tries to convince the protagonist to ‘change sides’, but may end up changing sides themself.

Sidekick: the protagonist’s unconditionally loving friend. This character may become frustrated or suffer doubt, but always stands by the protagonist in the end. Typically, the sidekick embodies the theme without even realizing it.

Skeptic: the skeptic does not believe in the theme or the protagonist’s goal. They have no loyalties, and are simply following their own path.

Emotional: this character acts impulsively, letting their emotions fuel their decisions. Sometimes this works to their advantage, sometimes it is their downfall.

Logical: the rational thinker who always plans and reasons the best course of action. Again, sometimes this works to their advantage, sometimes it is their downfall.

kateordie:

comicsalliance:

FAKE GEEK GUYS: A MESSAGE TO MEN ABOUT SEXUAL HARASSMENT

By Andy Khouri

“I think this woman is wrong about something on the Internet. Clearly my best course of action is to threaten her with rape.”

That’s crazy talk, right? So why does it happen all the time?

Honest question, dudes.

That women are harassed online is not news. That women in comics and the broader fandom cultures are harassed online is not news. That these women are routinely transmitted anonymous messages describing graphic sexual violence perpetrated upon them for transgressions as grave as not liking a thing… that is actually news to me, and it’s probably news to a lot of you guys reading this.

So what do we do about it?

This.

READ MORE

This is important.

(via albinwonderland)