A Lonely God - a series of slightly sad superhero posters.
I’m in love with this
I...
Victor: “I’m halfway up the mountain, debating with a—” The creature: “A living creature!” Victor: “A nothing! A filthy mass of nothing!”
“world of averages” - composite images culled from thousands of individual portraits resulting in...
Repost from @iamjohnoliver: Just to reassure everyone - The #DailyShow is going to look exactly the same tomorrow…
7 Ways to Add Great Subplots to your Novels
Well, friends. I don’t think I’m going to make it.
I’ve made headway, but I’ve lost so much time in the last two weeks to random work crises and disruptions that there’s no way I can make what’s left up in the next twenty-four hours.
A noble effort has been made, though, and I will finish Returners (obviously). I’m well into the second act, so that’s a huge accomplishment from looking back a month ago. As always, I applaud those who can wrestle the time into submission and I hope to be among your ranks next year. I’ll be sure to post my final word count at the buzzer tomorrow, because I’ll still be writing feverishly in the meantime.
Cheers!
So, I’m pretty far behind my word count with only three full days left on the clock. I’ve cleared my schedule as best as I can for Thursday and Friday, but this is still looking like a herculean task to get accomplished in the remainder of the week. Easily in excess of a dozen hours required behind the keyboard, even taking into consideration how productive my writing sprints have been this month.
However, I’m going to push through. I want a first draft of Returners under my belt before I turn to my other writing projects in December. Wish me luck!
Technophobes rejoice! Your typewriter iPad is here.
102 Resources for Fiction Writers
Are you still stuck for ideas for National Novel Writing Month? Or are you working on a novel at a more leisurely pace? Here are 102 resources on Character, Point of View, Dialogue, Plot, Conflict, Structure, Outlining, Setting, and World Building, plus some links to generate Ideas and Inspiration.
CHARACTER, POINT OF VIEW, DIALOGUE
The Universal Mary Sue Litmus Test
Priming the idea pump (A character checklist shamlessly lifted from acting)
Handling a Cast of Thousands – Part I: Getting to Know Your Characters
Establishing the Right Point of View: How to Avoid “Stepping Out of Character”
How to Start Writing in the Third Person
Web Resources for Developing Characters
What are the Sixteen Master Archetypes?
Fiction Writer’s Character Chart
Fiction Writer’s Character Chart
Villains are People, Too, But …
Top 10 Tips for Writing Dialogue
Advantages, Disadvantages and Skills (character traits)
How to Write a Character Bible
Character Development Exercises
All Your Characters Sounds the Same — And They’re Not a Hivemind!
Writing the Other: Bridging Cultural Difference for Successful Fiction
Family Echo (family tree website)
Interviewing Characters: Follow the Energy
100 Character Development Questions for Writers
Lineage Chart Layout Generator
PLOT, CONFLICT, STRUCTURE, OUTLINE
How to Write a Novel: The Snowflake Method
Effectively Outlining Your Plot
Conflict and Character within Story Structure
Ideas, Plots & Using the Premise Sheets
Creating Conflict and Sustaining Suspense
Plunge Right In … Into Your Story, That Is!
Fiction Writing Tips: Story Grid
Tips for Creating a Compelling Plot
The Thirty-six (plus one) Dramatic Situations
The Evil Overlord Devises a Plot: Excerpt from Stupid Plotting Tricks
The Hero’s Journey: Summary of the Steps
Outline Your Novel in Thirty Minutes
SETTING, WORLD BUILDING
The Art of Description: Eight Tips to Help You Bring Your Settings to Life
Creating the Perfect Setting – Part I
An Impatient Writer’s Approach to Worldbuilding
Fantasy Worldbuilding Questions
Character and Setting Interactions
Creating Fantasy and Science Fiction Worlds
Maps Workshop — Developing the Fictional World Through Mapping
IDEAS, INSPIRATION
Solve Your Problems Simply by Saying Them Out Loud
Writing Inspiration, or Sex on a Bicycle
Creative Acceleration: 11 Tips to Engineer a Productive Flow
The Seven Major Beginner Mistakes
Complete Your First Book with these 9 Simple Writing Habits
Free Association, Active Imagination, Twilight Imaging
Story Starters and Idea Generators
REVISION
One-Pass Manuscript Revision: From First Draft to Last in One Cycle
Revising Your Novel: Read What You’ve Written
Writing 101: So You Want to Write a Novel Part 3: Revising a Novel
TOOLS and SOFTWARE
My Writing Nook (online text editor; free)
Bubbl.us (online mind map application; free)
Freemind (mind map application; free; Windows, Mac, Linux, portable)
XMind (mind map application; free; Windows, Mac, Linux, portable)
Liquid Story Binder (novel organization and writing software; free trial, $45.95; Windows, portable)
Scrivener (novel organization and writing software; free trial, $39.95; Mac)
SuperNotecard (novel organization and writing software; free trial, $29; Windows, Mac, Linux, portable)
yWriter (novel organization and writing software; free; Windows, Linux, portable)
JDarkRoom (minimalist text editor; free; Windows, Mac, Linux, portable)
AutoRealm (map creation software; free; Windows, Linux with Wine)
I’ve had a couple of Thursday Quotes get hits before, but the Steven Moffat one today seemed to strike a chord with folks, especially with the couple of people who took offense/got riled at the concept in the quote.
So, here’s the thing. My take on the quote was that just adding a bunch of swearing to dialog to make it “adult” is a cop out on trying to spin a good phrase. Not that swearing isn’t a natural part of conversation or that it’s always better to steer away from it (I swear all the fucking time and incorporate plenty of cussing in my writing, so clearly that’s not what I believe), but that just tossing in a couple of swear words to make a PG sentence an “adult” sentence is lame and phoning it in. It’s not trying to get anything extra across, it’s just shock value for the sake of upping some perceived rating or maturity level.
Also, Moffat writes for TV. Admittedly, he writes for Brit TV where cursing is a little less risque than in the States, but he still probably has to deal with censors, producers, and the like who need whatever show he’s working on to stay in X or Y speech boundary. I mean, he’s not going to insert the same kind of dialog into Doctor Who as he did in Coupling, right?
So the other side of what he’s probably referring to is having to find ways to talk around censorship, so that characters can have the conversations they need to have in the contexts they need to have them.
Feel free to continue to disagree with the sentiment. It’s no skin off my nose if people do disagree with the quote, but as for the sentiment that cursing in dialog should be telling you something about the character or the extremity of the situation as opposed to just being a “fuck,” “shit,” or “assballs” thrown into “Jack went to the store to get some milk,” then yeah, I agree that cursing just for the sake of making something seem “adult” is a cop out.
And now, have a funny: History of the Word “Fuck”
Stories like this both give me a strong feeling of vindication for books/movies/television I don’t like and a healthy dose of paranoia when I look at my own writing. Still, the rant above is full of useful reminders about how indulgent you should and should not be with your characters and your own personal sense of comfort when it comes time to put pen to paper.
This question came in:
juandepareja asked you:Do ever go through phases where you’re too tired/listless/depressed to write anymore? If so, what do you do to get through it?So I thought I would put up a motivational poster, for you, Juan, and for anyone else who needs it. (Original photo by Holly Gaiman at the Hay Literary Festival.)
How to Write a Novel.
And you know, this is pretty much everything you need to know. The rest is detail, most of which is irrelevant…
(Stolen from http://www.nicalderton.com/blog/HowToWriteANovel/)
Let’s see … in the Pitfalls section I’m at least guilty of #4, as can be seen here at Word Painting.